Human migration, social in/visibility, the intrinsicness of human-to-human relationships, our desensitized relationship to the universe — this is where Paloma Núñez-Regueiro work finds refuge. Ink and paper tell stories of impermanence and of the experiences of living in far away foreign places. She deals with the overarching subject of starting over with whatever is at hand, and of the rootlessness of those of us who move from place to place. Her artwork is her ritual to make herself fit into oftentimes unwelcoming worlds that she seldom feels that she belongs to.
Touching a gouge to a plate, she strives to help other rootless ones like herself, and those the world deems invisible, find their place too.